During the Second World War, a number of manuscript fragments in Iranian languages from the Berlin Turfan collections were lost. Photographs of these fragments preserved in the Nachlass of Walter B. Henning bring to light their contents and fill gaps in the record of Turfan texts. These photographs are published here for the first time, together with a description of the fragments and their contents.
Central Asia forms the heart of medieval Eurasian trade, what is known, not entirely incorrectly, as the “Silk Road”. Caravans and conquerors, monks and artists all passed through Samarcand, Dunhuang or Bactria on their way from China to Byzantium or from Iran and India to the steppes. This was the era of the first globalisation, a thousand years before European expansion. But this history is in tatters, and at the height of these contacts, from the Huns’ raid in the fourth century AD to the end of the Tibetan empire and Islamisation in the ninth century, no work in any language had ever attempted to follow all the threads and patiently reweave the patterns.
Nomadic migrations and Buddhist art, great trade and the organisation of the State, Chinese colonisation and the Arab conquest, the history of climate, irrigation and demography, the birth of Persian and archaic globalisation, and many other themes: this summary offers a wide range of themes which it crosses and weaves into a complex but clear fabric. Using a wealth of maps and illustrations, it reconstructs a huge missing piece in the jigsaw puzzle of medieval Old World history. It is the product of twenty years of research, and draws on the most recent work, including scholarly studies of Arabic, Chinese, Iranian and Turkish texts, new discoveries of manuscripts and the results of the many archaeological excavations that have been carried out since the end of the USSR and the opening up of China’s economy. All the disciplines and tools of the historian are called upon to make this world intelligible and legible, while at the end, behind the scenes, another level of analysis is offered for those who, like the great merchants and pilgrim monks, would like to go further.
Cereti, Carlo G. 2023. Graffiti in Middle Iranian: Some Preliminary Notes. In Ondřej Škrabal, Leah Mascia, Ann Lauren Osthof & Malena Ratzke (eds.), Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding (Studies in Manuscript Cultures 35), 327–354. De Gruyter.
Graffito from Kal Jangal (after Henning 1977, Plate XXVII)
This article aims to present a limited selection of Middle Iranian graffiti while proposing a definition of the term ‘graffito’ in the Iranian area. Middle Iranian languages were spoken over a vast region that stretches from Mesopotamia to Central Asia. Traditionally, scholars in our field consider the Middle Iranian period to cover the fourth century BCE to the end of the first millennium CE. The number of known written artefacts dating from this period has progressively increased and today we possess a sizeable epigraphic corpus, of which languages such as Middle Persian, Parthian and Sogdian take the lion’s share. Here the author presents a selection of written artefacts that, on material and linguistic grounds, seem to better fit the idea of ‘graffito’, and briefly focuses on a few drawings scratched into palace walls in ancient Persepolis. Furthermore, the article aims at contributing to the growing debate on graffiti across different traditions, while remaining well aware that the definition of ‘graffiti’ in the Iranian area is still an open question and requires further discussion to establish a shared classification.
The entire volume is available online as Open Access.
This is the first book-length palaeographic study of about a thousand fragments in Syriac and Sogdian languages discovered between 1902 and 1914 in the Turfan area on the ancient Northern Silk Roads. This manuscript material, probably dating between the late 8th and 13th /14th centuries, is of utmost relevance for the history of an area that represents a crossroads region of various communities, languages and religions, not least the East Syriac Christian community. Palaeographic factors such as form, modulus, ductus, contrast, spaces between letters and ligatures have been examined. Particularly significant is a peculiar ligature of the letters ṣādē and nūn. One important observation that emerges from this research is the almost total absence of monumental script in favour of mostly cursive forms, most of them East Syriac cursive forms. These represent a valuable source for the study of the history of the East Syriac script due to the paucity of earlier and contemporary East Syriac manuscript evidence from the Middle East, at least before the twelfth century. Moreover, this research sheds light on scribal habits that are highly relevant for a better comprehension of the Sogdian and Syriac-speaking Christian communities, for the history of writing between Late Antiquity and the Middle Ages, and for a greater understanding of the social context in which these and other communities in the same area read, wrote, and shared handwritten texts. This study is part of the FWF stand-alone project “Scribal Habits. A case study from Christian Medieval Central Asia” (PI Chiara Barbati) at the Institute of Iranian Studies of the Austrian Academy of Sciences.
The book is available for free through open access, and you can download it directly from the publisher’s website.
Documents open up another an approach complementary to the overwhelming richness of literary tradition as preserved in manuscripts. This volume combines studies on Greek, Sogdian and Arabic documents (letters, legal agreements, and amulets) with studies on Arabic and Judeo-Arabic manuscripts (poetry, science and divination).
From the website
Following article in the volume is of particular interest to scholars of Sogdian:
Sims-Williams, Nicholas & Desmond Durkin-Meisterernst. 2022. Dictionary of Manichaean texts (Corpus Fontium Manichaeorum: Subsidia 7). Volume III, 2: Texts from Central Asia and China (Texts in Sogdian and Bactrian). Turnhout: Brepols. Second, revised and enlarged edition.
This revised and substantially enlarged edition of the Dictionary of Manichaean Texts covers the vocabulary of all Manichaean (and anti-Manichaean) texts in Sogdian and Bactrian (material published up to 2020, including short passages and even individual words which have been cited in print). Unlike the first edition, it also contains a substantial amount of material from texts which are still unpublished, especially unusual or otherwise unattested words and expressions. As before, the volume contains a full bibliography, references to discussions in the scholarly literature, and numerous corrections to previously published readings and interpretations. It is completed by an English index. Providing an up-to-date analysis of all published Manichaean material in the Eastern Middle Iranian languages, the new edition of the Dictionary will continue to be an essential tool for everyone interested in Manichaeism, Iranian languages, or Central Asian history.
Sims-Williams, Nicholas, John S. Sheldon & Zsuzsanna Gulácsi. 2022. A Manichaean prayer and confession book. (Corpus Fontium Manichaeorum: Series Iranica 1). Turnhout: Brepols.
The Manichaean Prayer and Confession Book is the best-preserved Manichaean book found in the Turfan area and the only one which survives in the form of a bound codex. It constitutes a precious treasure-trove of information on its three Iranian languages, on the Manichaean religion itself, and on Manichaean codicology and book-art. The surviving parts of this beautifully decorated miniature paper codex include Middle Persian and Parthian hymns and readings for the Bema festival, the high-point of the Manichaean liturgical calendar, followed by an elaborate confessional formula for the Elect in the Sogdian language. Until now this manuscript has been accessible for scholarship only from its 1937 edition in German by W. B. Henning, titled ‘Ein manichäisches Bet- und Beichtbuch’ (BBB). This new edition provides the first English translation by Nicholas Sims-Williams, the first codicological study by Zsuzsanna Gulacsi and an introduction by John S. Sheldon. It also includes the supplementary Sogdian texts which Henning added to his ‘BBB’. It incorporates magnificent colour photos, codicological diagrams, and digital reconstructions never seen before. This beautifully-produced volume appropriately inaugurates the Series Iranica of the Corpus Fontium Manichaeorum.
The breadth and variety of François de Blois’s erudition is such that only a long and detailed introduction could possibly do justice to his scholarly career. Anyone who knows François, the “quiet man” of Iranian studies, also knows his penchant for concision. We have therefore decided to limit our remarks here to about the length of his legendary handout of Middle Persian grammar—two pages.
This volume collects a series of articles focusing on various aspects of the art of Persia and Central Asia in the pre-Islamic era that the author has published over the last fifteen years. The period examined goes from the reign of the Sasanian dynasty (224-651) to the arrival of the Arabs in the seventh century, and the consequent (but not immediate) process of Islamization of the entire territory between the eastern borders of the Roman Empire and China. This vast territory – during the period examined in those articles – was mainly inhabited by peoples who spoke Iranian languages such as Persian, Bactrian, Chorasmian, Sogdian and Khotanese.
The exhibition, The Sogdians: Influencers on the Silk Roads, explores Sogdian art through existing material culture. It focuses on the golden age of the Sogdians, from the fourth to the eighth centuries CE. Various dimensions of Sogdian culture, from art, music, and feasting to religious and funerary practices, are presented in this digital exhibition. New 3-D models of metalwork objects, photographs of archaeological sites, high resolution images and international scholarship reveal new details about this period.
In 2019 the Freer Gallery of Art and Arthur M. Sackler Gallery lunched a digital exhibition devoted to the Sogdians, major traders of the ancient Silk Roads, organized by the Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s Asian art museums in collaboration with the State Hermitage Museum, the Institute for the Study of the Ancient World (NYU), XE: Experimental Humanities and Social Engagement (NYU), the Bard Graduate Center, and the Association Sauvegarde Peinture Afrasiab.
