Tag: Literature

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The Six Corners of the World

Casari, Mario. 2023. Šeš taraf-e donyā «Les six côtés du monde»: Anthropologie de la narration dans la littérature persane classique (Cahier de Studia Iranica 65). Leuven: Peeters.

This volume contains the text of the five Ehsan and Latifeh Yarshater Distinguished Lectures on Iranian Studies, organized by the Unité Mixte de Recherche 7528 “Mondes iranien et indien”, and delivered in 2018 at the Collègue de France in Paris.

It presents a reflection on the nature of narration in classical Persian literature, its role as a central cultural reference system, and the connection that narrative production may maintain with the different fields of knowledge that govern the human experience of the world. Taking a tale of the Alexander legend as a case study, the volume is structured in five chapters, with five main themes: first, the main tools and values of Persian narration; the link of story-telling with Persian moral reflection; the absorption of scientific notions into the fabric of tales; their gradual assumption of symbolic and mystical values; and finally the circulation of tales in popular literary domains alongside various forms of folk knowledge.

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Mystical Landscapes

Keshavarz, Fatemeh & Ahmet T. Karamustafa (eds.). 2024. Mystical landscapes in medieval Persian literature. Edinburgh: Edinburgh University Press.

In this collection, Fatemeh Keshavarz and Ahmet T. Karamustafa bring together leading researchers from comparative literature, history, literary criticism and religious studies to explore the major authors and genres of medieval Persian mystical literature. Breaking out of the all-inclusive literary history framework, the contributors write on topics that have energised their scholarship over time and address areas where the literary and the mystical have mingled and led to paradigmatic creations. How can you interpret the climactic conclusion to the framing narrative of The Speech of the Birds of ‘Attar of Nishapur? How did ‘Aziz Nasafi understand the concept of religion? What do Rumi’s conversations with the Divine tell us about his teachings and his poetry? How do medieval Persian Sufi commentators add to our understanding the Qur’an? How can we utilise Sufi manuals, life stories and utterances? All of these explorations and more bring the depth and eloquence of Persian mystical literature to life in this volume.

Editor note: This books falls outside our known comfort zone, but not by such a wide margin that we can ignore it. ~AZ

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Ancient, classical & late classical Persian literature

Talattof, Kamran (ed.). 2023. Routledge handbook of ancient, classical and late classical Persian literature. London: Routledge.

The Routledge Handbook of Ancient, Classical, and Late Classical Persian Literature contains scholarly essays and sample texts related to Persian literature from 650 BCE through the 16th century CE. It includes analyses of some seminal ancient texts and the works of numerous authors of the classical period.

The chapters apply a disciplinary or interdisciplinary approach to the many movements, genres, and works of the long and evolving body of Persian literature produced in the Persianate World. These collections of scholarly essays and samples of Persian literary texts provide facts (general information), instructions (ways to understand, analyze, and appreciate this body of works), and the field’s state-of-the-art research (the problematics of the topics) regarding one of the most important and oldest literary traditions in the world.

Thus, the Handbook’s chapters and related texts provide scholars, students, and admirers of Persian poetry and prose with practical and direct access to the intricacies of the Persian literary world through a chronological account of key moments in the formation of this enduring literary tradition.

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The Kushnameh

Hemmat, Kaveh L. & Hee Soo Lee (eds.). 2022. The Kushnameh: The Persian Epic of Kush the Tusked. Oakland: University of California Press.

The first English translation of a strange and unusual Persian epic, this action-packed tale of an evil, monstrous king explores questions of nature and nurture and brings the global middle ages to life.

The great Persian epic known as the Kushnameh follows the entangled lives of Kush the Tusked––a monstrous antihero with tusks and ears like an elephant, descended from the evil emperor Zahhak––and Abtin, the exiled grandson of the last true Persian emperor. Abandoned at birth in the forests of China and raised by Abtin, Kush grows into a powerful and devious warrior. Kush and his foes scheme and wage war across a global stage reaching from Spain and Africa to China and Korea. Between epic battles and magnificent feasts are disturbing, sometimes realistic portrayals of abuse and oppression and philosophical speculation about nature and nurture and the origins of civilization.

A fantastical adventure story stretching across the known world and a literary classic of unparalleled richness, this important work of medieval Persian literature is a valuable source for understanding the history of racism and constructions of race and the flows of lore and legend from the Central Asian Silk Road and the Sahara to the sea routes of the Indian Ocean and the Mediterranean. The Kushnameh is a treasure trove of Islamic and pre-Islamic Persian cultural history and a striking contemporary document of the “global middle ages,” now available to English-speaking readers for the first time.

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An Unknown Illuminated Judeo-Persian Manuscript of Nizāmī’s Khosrow and Shīrīn

Khosrow Discovers Shīrīn Bathing, From Pictorial Cycle of Eight Poetic Subjects, mid 18th century. Brooklyn Museum.

Carmeli, Orit. 2021. An Unknown Illuminated Judeo-Persian Manuscript of Nizāmī’s Khosrow and Shīrīn. Ars Judaica. The Bar Ilan Journal of Jewish Art 17(1). 131–140.

This is a brief presentation of the mid-seventeenth-century illuminated Judeo-Persian copy of Nizāmī’s Khosrow and Shīrīn from the collection of the Museum for Islamic Art in Jerusalem. The Khamsa of Nizāmī Ganjavi (d. 1209) is one of the most famous medieval Persian love stories and one of the most admired poetical works ever written in the Persian language. Khosrow and Shīrīn (composed 1175/6-1191) is the second book in the Quinary and recounts the tragic love story of the Sasanian king Khosrow II Parviz and the Armenian princess Shīrīn. Nizāmī’s poetry, in addition to other works of Persian classical masters, was regarded by the Jews of Iran as an integral part of their literary and cultural heritage. Over the years these renowned poetical works were largely transliterated into Judeo-Persian and copies of the texts can be found in various public and private collections. The manuscript in question and other illuminated Judeo-Persian manuscripts clearly testify to their owners and patrons’ awareness of long-established Persian artistic tradition and cultural conventions, representing Jewish-Persian encounter in text and image.

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Faster than the Arrow of Ārash: the Long Journey of the Narratives in Iran

Norozi, Nahid (ed.). 2021. Come la freccia di Ārash: il lungo viaggio della narrazione in Iran : forme e motivi dalle origini all’epoca contemporanea (atti del V CoBIran, 22-23 ottobre 2020) (Indo-iranica et orientalia). Milano: Mimesis Edizioni.

The narrative in the multi-millennial Iranian culture has taken many forms in prose and verse and, just as the famous arrow of the Iranian hero-archer Ārash – which according to the myth covered an unusual space flying from the Alborz mountains south of the Caspian Sea to Marv in Central Asia – comes to us miraculously traveling beyond all boundaries in space and time, because the word is “faster in traveling than the arrow of Ārash”. The present volume contains the articles, presented at the “V Convegno Bolognese diIranistica (V CoBIran)” dedicated to “Forms and motives of narration in Iran, from the origins to the contemporary era”.

Table of Contents

1. Aliasghar Mohammadkhani: “Excursus sulla narratologia in Iran”

2. Antonio Clemente Domenico Panaino: “Ǝrəxša’s Death or Self-sacrifice: The Ancient Iranian Saga of the Archer”

3. Ezio Albrile: “Guerre tra Angeli e Demoni. Le origini dello gnosticismo tra Babilonia e Iran”

4. Paolo Ognibene: “L’iscrizione di Dario a Bīsutūn: al di l. dell’interpretazione storico-filologica”

5. Andrea Piras: “La luna di Mani e la luna di al-Moqannaʿ: miracoli carismatici e loro usi politici”

6. Gianfilippo Terribili: “Fabbricazione storiografica e definizione identitaria. La genesi della malvagia religione secondo i teologi zoroastriani (DkIII 227, 229, 288)”

7. Matteo Compareti: “Tipologie eroiche nell’arte narrativa sogdiana e nell’epica persiana: il caso di Rustam e di Isfandyār”

8. Simone Cristoforetti: “La storia del villaggio distrutto e poi riedificato nello Shāhnāma: un brano di polemistica antimazdakita?”

9. Francesco Omar Zamboni: ‘”Avicenna e l’allegoria filosofica – “Ḥayy ibn Yaqẓān”’

10. Nahid Norozi: “Il “Vis e Rāmin” di Gorgāni e il “Bahman-nāme” di Irānshāh: aspetti intertestuali anche in relazione con il “Khosrow e Shirin” di Neẓāmi”

11. Carlo Saccone: “Forme della narrazione dell’Altro nelle lettere persiane, da Ferdowsi a Sa‘di e Nasimi”

12. Hasan Zolfagari: “Analisi narratologica del racconto “La Fata Verde e la Fata Gialla”

13. Fabio Tiddia: “Il motivo “qalandar” nella letteratura mistica persiana”

14. Maurizio Silvio Pistoso: “Guerre del Golfo in salsa safavide. I poemetti persiani dell’enigmatico “Qadri”

15. Stefano Pellò: “Atmosfere indo-persiane: cumulonembi, bolle e avatāra monsonici in Mīrzā ‘Abd al-Qādir Bīdil (1644-1720) e nella sua scuola”

16. Bianca Maria Filippini: “La “spaventosa Tehr.n”: alcune riflessioni sulla rappresentazione della citt. come metafora delle derive della modernit. in Iran”

17. Adone Brandalise: “Sguardo e narrazione nel cinema iraniano”

18. Faezeh Mardani: “Recente letteratura persiana sulla “guerra imposta” con particolare riferimento a tre romanzi tradotti in italiano”

19. Anna Vanzan: “La fortuna di un testo. In margine alle traduzioni de Il Pesciolino Nero di Samad Behrangi”

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Persian Prose

Utas, Bo (ed.). 2021. Persian prose (A history of Persian literature V). London: I.B. Tauris.

Volume V of A History of Persian Literature presents a broad survey of Persian prose: from biographical, historiographical, and didactic prose, to scientific manuals and works of popular prose fiction. It analyzes the rhetorical devices employed by writers in different periods in their philosophical and political discourse; or when their aim is primarily to entertain rather than to instruct , the chapters describe different techniques used to transform old stories and familiar tales into novel versions to entice their audience.

Many of the texts in prose cited in the volume share a wealth of common lore and literary allusions with Persian poetry. Prose and poetry frequently appear on the same page in tandem. In different ways, therefore, this creative interplay demonstrates the perennial significance of intertextuality, from the earliest times to the present; and help us in the process to further our understanding and enhance our enjoyment of Persian literature in its different manifestations throughout history.

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Materials for a History of the Persian Narrative Tradition

Orsatti, Paola. 2019. Materials for a History of the Persian Narrative Tradition. Two Characters: Farhād and Turandot. Venezia: Ca’ Foscari.

This book gathers together two essays. The first deals with the origins of the character of Farhād, the unlucky lover of Shīrīn, who – in the Persian narrative tradition – digs a route through Mount Bīsutūn and accomplishes other admirable works. The essay suggests that Farhād, as we know him from long narrative poems, historical chronicles, and reports by geographers and travelers, is the issue of a conflation between the legendary character of the Master of Mount Bīsutūn and a historical personage, Farrahān, the general-in-chief of the Sasanid king Khusraw II Parvīz’s army (r. 590-628 EC), as this figure was re-elaborated in a number of later legends. 

The second essay identifies a character named ‘Būrān-dukht’ as the prototype from which Turandot, the heroine of the tale well-known in Europe from Puccini’s opera (1926), springs. Two historical personages, both called Būrān or Būrān-dukht, are relevant in this line of development: the first is the daughter of the Sasanid king Khusraw II Parvīz (r. 580-628 CE), who was queen of Persia for a short period (630-631 CE); the other is the daughter of Ḥasan b. Sahl, wife of Caliph al-Maʾmūn (813-833 CE).

Continue reading “Materials for a History of the Persian Narrative Tradition”
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Studies in Persian Language and Literature in Honour of Paola Orsatti

Maggi, Mauro, and Mohsen Ashtiany, eds. A turquoise coronet: Studies in Persian language and literature in honour of Paola Orsatti. Wiesbaden: Reichert, 2021.

Paola Orsatti is currently professor at La Sapienza University in Rome. In the course of a long and distinguished academic career combined with an impressive record of dedicated teaching, she has made significant contributions to the study of classical Persian poetry, its connections with pre-Islamic traditions, the history of the Persian language, and Islamic manuscripts. Along with a profile of the dedicatee and a comprehensive bibliography of her publications up to 2019, the volume contains eighteen papers by her colleagues, friends, and former students to celebrate her 65th birthday. The papers mirror her diverse research interests. They deal with a variety of themes relating to Persian literature from Middle Persian texts to twentieth-century poetry—approached philologically, historically, and critically—as well as to the history of Middle and New Persian and the dialects of Iran, and include significant Persian literary texts translated and edited for the first time in this volume.

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The Judeo-Persian rendition of the Buddha biographies

Yasharpour, Dalia. 2021. The Prince and the Sufi: the Judeo-Persian rendition of the Buddha biographies (The Brill Reference Library of Judaism 62). Leiden: Brill.

The Prince and the Sufi is the literary composition of the seventeenth-century Judeo-Persian poet Elisha ben Shmūel. In The Prince and the Sufi: The Judeo-Persian Rendition of the Buddha Biographies, Dalia Yasharpour provides a thorough analysis of this popular work to show how the Buddha’s life story has undergone substantial transformation with the use of Jewish, Judeo-Persian and Persian-Islamic sources. The annotated edition of the text and the corresponding English translation are meticulous and insightful. This scholarly study makes available to readers an important branch in the genealogical tree of the Buddha Biographies.