This article proposes a new etymology for the Nuristani word family of Katë lod ~ lot, Nuristani Kalasha lād, etc. It is argued that these are best understood as early borrowings from Bactrian λαδο “law”.
This special issue of Slavery & Abolition presents six studies on the history of slavery in the greater Mediterranean basin, the Near East and the Iranian world during the second half of the first millennium CE. The articles cover a large area that stretches from the Iberian Peninsula in the west to Bactria in the east, an area that was at that time largely controlled by East and West Roman emperors, Sasanian shahs and, later, Muslim caliphs. Despite the widely varying nature of the various historical environments brought together in this special issue, they combine to tell a common story.
Volume 31 (2022-23) of the Bulletin of the Asia Institute has been published.
Table of Contents
Harry Falk: “Faxian and Early Successors on Their Route from Dunhuang to Peshawar: In Search of the “Suspended Crossing”
Osmund Bopearachchi and Richard Salomon: “Two Gandharan Seated Buddha Images”
Henri-Paul Francfort: A “Blessing” Hand Gesture in Images of Deities and Kings inthe Arts ofBactria and Gandhara (2nd Century B.C.E.-1st Century C.E.): The Sign of the Horns
Ryoichi Miyamoto: Letters from Kadagstān
Dieter Weber: Studies in Some Documents from the “Pahlavi Archive”
Nicholas Sims-Williams and Frantz Grenet: A New Collection of Bactrian Letters on Birchbark
Zhang Zhan: Two Judaeo-Persian Letters from Eighth-Century Khotan
Silver bowl from Kustanai, now in Hermitage S–62; 15.5 × 5.2 cm, 4th-5th c., with scenes from Sophocles’ Oedipus Tyrannus. After Marshak 2000: no. 31, and Ivanov, Lukonin, and Smesova 1984, fig. 39. Photo courtesy State Hermitage Museum.
Elites of the Hunnish states, including Tokharistan (ancient Bactria) and Northwest India from the 4th century, not only appreciated Greco-Roman art, inherited or imported, but also had a good knowledge of the Hellenic mythological cycles. Among the small silver bowls called ‘Bactrian’, attributed by Boris Marshak to the period after the Sasanian withdrawal from Central Asia, the one discovered at Kustanai (Hermitage, S-62) is decorated with scenes inspired mainly by Sophocles’ Oedipus Tyrannus. While following the text sometimes literally (e.g. by portraying Oedipus as a child of Fortune), and using a Hellenistic iconographic repertoire which had become ‘Indianized’ during the Kushan period, the artist who executed the model transposed the Sophoclean plot in five scenes, adapting it to his customers’ interests: the son’s marriage to his mother, highlighted on this vase like nowhere else in ancient art, recommends the couple as a Zoroastrian ethical model. The tragic fault now lies with the servant, who did not expose the newborn Oedipus and did not tell the truth on the parricide: the confrontation between the lying servant and the sincere, generous Jocasta, gives the key to a cathartic reading of this vase.
Studies of Bactrian Legal Documents deals with legal texts written in Bactrian, an eastern Middle Iranian language, between the 4th and 8th centuries CE. The work aims to give insight in the Bactrian legal formulary as well as its historical context. In order to achieve that, the author carefully examines the terms and phrases in the legal documents and clarifies their function. Then he explores the historical background of expressions and wordings. To this end, he uses documents from other regions of the Near East spanning from Egypt to Turkestan.
Sims-Williams, Nicholas & Desmond Durkin-Meisterernst. 2022. Dictionary of Manichaean texts (Corpus Fontium Manichaeorum: Subsidia 7). Volume III, 2: Texts from Central Asia and China (Texts in Sogdian and Bactrian). Turnhout: Brepols. Second, revised and enlarged edition.
This revised and substantially enlarged edition of the Dictionary of Manichaean Texts covers the vocabulary of all Manichaean (and anti-Manichaean) texts in Sogdian and Bactrian (material published up to 2020, including short passages and even individual words which have been cited in print). Unlike the first edition, it also contains a substantial amount of material from texts which are still unpublished, especially unusual or otherwise unattested words and expressions. As before, the volume contains a full bibliography, references to discussions in the scholarly literature, and numerous corrections to previously published readings and interpretations. It is completed by an English index. Providing an up-to-date analysis of all published Manichaean material in the Eastern Middle Iranian languages, the new edition of the Dictionary will continue to be an essential tool for everyone interested in Manichaeism, Iranian languages, or Central Asian history.
The latest volume of Annales Islamologiques (vol. 54) is dedicated to the theme “acts of protection in Early Islamicate societies.” It includes a number of papers that fall in the scope of Iranian studies as well.
Said Huseini: Acts of Protection Represented in Bactrian Documents
Arezou Azad, Pejman Firoozbakhsh: “No One Can Give You Protection”. The Reversal of Protection in a Persian Decree Dated 562/1167
Dieter Weber: Living Together in Changing Iran. Pahlavi Documents on Arabs and Christians in Early Islamic Times
Etienne de La Vaissière: Sogdian Ḏimmī. Religious and Political Protection in Early 8th Century Central Asia
Papers are open-access and accessible (click here).
The breadth and variety of François de Blois’s erudition is such that only a long and detailed introduction could possibly do justice to his scholarly career. Anyone who knows François, the “quiet man” of Iranian studies, also knows his penchant for concision. We have therefore decided to limit our remarks here to about the length of his legendary handout of Middle Persian grammar—two pages.
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or ‘school’. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill.
Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd-23rd March, 2018. This volume is open access and available from the publisher’s website linked above.
This paper sets out to examine the use of the term in the Chinese chronicles of the period of the Kushan xihou and in coin and stone inscriptions of Kujula Kadphises to illustrate the function of this title for him and interrogate the contextual evidence from these sources for the meaning of this title and its likely origins.
Cribb, Joe. 2018. Kujula Kadphises and his title Kushan Yavuga (Sino-Platonic Papers 280). Philadelphia: University of Pennsylvania.