Simpson, St.John. 2013. The Ladies of Veh Ardashir. Palazzo Madama, studi e notizie, 3(2): 10-15.
A short article exploring the evidence provided by a selection of the Sasanian “small finds” excavated at Veh Ardashir by the Centro Scavi di Torino. This research is part of the author’s core research on Sasanian and early medieval portable material culture and a detailed publication of all of these finds from this excavation is in preparation.
Dąbrowa, Edward. 2013. The Parthian Aristocracy: its Social Position and Political Activity, Parthica 15, 2013 [2014], 53-62.
Without doubt, the aristocracy occupied an important place in the complicated political and cultural structure of the Parthian state. Sources reveal that the role of this group in its history was determined not only by its social, material or even political position, but also by the strength and authority of individual monarchs. The position of the aristocracy was also axected by external factors. From the moment that the East came into the orbit of Roman policy, political position of the aristocracy was strengthened considerably. The opportunity to attain Roman support for the realization of their own ambitions meant that within the aristocracy opposition to the ruler became more frequent, and certain groups began more ruthlessly to seek not only defense of the rights and privileges they had gained, but above all greater freedom of political actions. In the 1st century BC and the 1st century AD this approach led to a marked weakening in the position of the Arsacid state towards Rome in competition for inkuence in Anatolia, the Caucasus and Armenia as well as even Mesopotamia. Owing to the lack of later sources, we cannot say whether the political gains of the Parthian aristocracy were long lasting.
The Shahnameh of Ferdowsi as World Literature
Iranian Studies, volume 48, Number 3, May 2015. Special issue: “The Shahnameh of Ferdowsi as World Literature”
The special issue of the Journal of Iranian Studies, guest-edited by Franklin Lewis is dedicated to studies on Shahname within a “world literature” framework.
Iranian Studies is a peer reviewed journal of history, literature, culture and society, covering everywhere with a Persian or Iranian legacy, especially Iran, Afghanistan, Central Asia, the Caucasus and northern India.
Cantera, Alberto. 2014. The problems of the transmission of the Avesta and the tools for Avestan text criticism (TATEC). In Tara Andrews & C. Macé (eds.), Analysis of ancient and medieval texts and manuscripts: Digital approaches, 95-116. Brepols.
The Avestan manuscripts contain the recitatives of several Zoroastrian liturgies that are today still celebrated. These Liturgies took shape around the sixth century BC, long before they were written down for the first time.
Today we know of more than 300 manuscripts, including Avestan texts, but the true number is probably much higher since the tradition of producing manuscripts has continued until recently and the production of copies of parts of Avestan manuscripts is part of the instuction of Zoroastrian priests.
Using the tools proposed in this article will offer a more realistic picture of the complex processes of the Avesta transmission, over and above the simplistic stemmata produced by Geldner solely on the basis of the agreement in error, since errors spread in the Avestan transmission not only through the process of copying from written sources, but also through the influence of ritual practices.
Iran Nameh is a quarterly journal of Iranian Studies. A special issue, volume 30, Number 2 (Summer 2015), is dedicated to Ehsan Yarshater
for his lifetime service to Iranian Studies.
Colburn, Henry. 2013. Art of the Achaemenid Empire, and art in the Achaemenid Empire. In Brian A. Brown & Marian H. Feldman (eds.), Critical approaches to ancient Near Eastern art, 773-800. De Gruyter.
This chapter introduces two major aspects of the study of Achaemenid Persian art, namely its definition, and the analysis of quotations of other artistic traditions. Achaemenid art is best defined as consisting of two categories of material. One is the art of the empire, that is, art produced in furtherance of imperial goals. The other category consists of art in the empire, or the artistic production of regions subject to Achaemenid rule. Though this art often took an outward form typical of its local context it was always produced in dialogue with the art of the empire. In both of these categories visual quotations of other, often earlier, artistic traditions figured prominently. These quotations were utilized by individuals as a means of constructing and negotiating visually their positions in the social order of the empire, and by parsing these quotations it becomes possible to reconstruct some of the social conditions in which they were selected. This concept is illustrated in three case studies that demonstrate the breadth of Achaemenid art and its value as a historical source for the study of the empire.
Matthew P. Canepa. 2014. Seleukid sacred architecture, royal cult and the transformation of Iranian culture in the Middle Iranian period. Iranian Studies 48(1). 1-27.
This article proposes a new approach to three of the most persistent problems in the study of Iranian art and religion from the coming of Alexander to the fall of the Sasanians: the development of Iranian sacred architecture, the legacy of the Achaemenids, and the development of the art and ritual of Iranian kingship after Alexander. Canepa explores the ways in which the Seleukids contributed basic and enduring elements of Iranian religious and royal culture that lasted throughout late antiquity. Beyond stressing simple continuities or breaks with the Babylonian, Achaemenid or Macedonian traditions, this article argues that the Seleukids selectively integrated a variety of cultural, architectural and religious traditions to forge what became the architectural vocabularies and religious expressions of the Middle Iranian era.
1–3 July 2015, University of Warwick
Call for papers.
Introductory speaker: Dr James Hodkinson, the University of Warwick
Keynote speaker: Prof Ali Ansari, the University of St Andrews.
The conference cordially invites scholars from diverse fields to contribute towards a wide-ranging interdisciplinary conference which aims to further our understanding of Iranian perceptions of the West and Westerners and Western perceptions of Iran and Iranians, from c. 500 BC until the present day. The aim of this conference is to improve our understanding of Iranian and Western cultural perceptions of the other’s culture, people, and politics, both from popular and elite viewpoints, and the points of convergence and divergence between them.
for more information click here
Call for Papers:
Animals in Ancient Material Cultures
Conference at the Allard Pierson Museum Amsterdam
In the wake of recent interest on both sides of the Atlantic in the subject of Animals in Antiquity, papers are invited for an international conference to be held at the Allard Pierson Museum in Amsterdam on 15 – 16 October 2015. Speakers from all disciplines are welcomed to present papers on the theme of Animals in Ancient Material Cultures, broadly from ca. 5000 BCE to 500 CE, from the Near East to Europe. The focus of the papers will be on representations of animals in the material world and visual evidence of archaeological objects and/or works of art. Speakers are encouraged to make ample reference to objects from the collection of the Allard Pierson Museum.
Kiel, Yishai . 2015. In the margins of the Rabbinic curriculum: Mastering ʿUqṣin in the light of Zoroastrian intellectual culture. Journal for the Study of Judaism 46( 2): 251 – 281.
The study situates the Babylonian rabbinic discussion concerning the spread of ritual pollution in produce in a broader cultural and intellectual context, by synoptically examining the rabbinic discussion against the backdrop of contemporaneous Zoroastrian legal discourse. It is suggested that the intimate affinity exhibited between the Babylonian rabbinic and Pahlavi discussions of produce contamination supports a fresh examination of the cultural significance of tractate ʿUqtzin in the Babylonian Talmud and the implications of its mastery on the intellectual and cultural identity of the Babylonian rabbis. The study posits that the self-reflective Talmudic reference to the knowledge and interest later generations of Babylonian rabbis possessed in tractate ʿUqtzin and the spread of ritual pollution in produce reflects the relative significance of these topics in the broader intellectual agenda of the Sasanian period. The later Babylonian rabbis boasted about their knowledge of tractate ʿUqtzin, which extended far beyond the capacity of earlier generations, precisely because this topic best reflected the intellectual currents of their time.