Author: Shervin Farridnejad

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Books

Interrelations of Religious Judgments in Zoroastrianism and Islam

Sadeghi, Fatemeh. 2018. Sin of the woman. Interrelations of religious judgments in Zoroastrianism and Islam (Islamkundliche Untersuchungen 336). Berlin: Klaus Schwarz Verlag.

Since the 1920s, the so-called »return to the roots«, has become a hege­monic discourse in Iran. Whereas the Pahlavi regimes (1925–1979) propa­gated the myth of the lost idyll of pre-Islamic Iran repre­sen­ting them­selves as the true inhe­ri­tors of those monar­chies, the Isla­mists adopted a respec­tive approach in regard to Islam.
As a result, a similar fairy­tale was made about the early Islamic community. Such claims, as it were, are not so much about the past as they are about the present. So is this study.
By delving into the past, it ques­tions the wide­s­p­read nost­algic notions cons­i­de­ring the pre-Islamic era as a lost utopia, wherein women were free from the restric­tions »imposed by Islam«. In point of fact such past is a fabri­ca­tion. In the majo­rity of cases, there­fore, the revival projects invent tradi­tions to legiti­mize current political agendas.

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Articles

Theory and Practices of Manichaean Asceticism

10th century Manichaean Electae in Gaochang (Khocho), China.

Piras, Andrea. 2018. Sealing the body: Theory and practices of Manichaean asceticism. Religion in the Roman Empire 4(1). 28–44.

The Manichaean conception of asceticism is clearly influenced by the spiritual expe-rience of the founder himself, Mani, whose Baptist-Elchasaite milieu provided him with a Jewish-Christian background of doctrines and behaviours (ritual ablutions, diet, chastity). After the visionary communications with his angel, the Twin (Syzy-gos), Mani stressed the Gnostic aspect of his teaching with ascetical commitments, based on the mastery of body and mind. Guided by wisdom and by means of a strict watchfulness of consciousness, to guard with moral virtues the organs of the five senses, the doctrine aimed at ‘sealing’ the perceptions, thus controlling instincts and passions. A medical approach of the teachings, to pursue a religious science of sal-vation with practical effects – concerning the self-transformation of the believer – is then a distinguishing mark of an original message of redemption, blending different aspects of the relevant religions of its time.
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Books

History of the Kings of the Persians’ in Three Arabic Chronicles

Hoyland, Robert G. 2018. History of the kings of the Persians’ in three Arabic chronicles: The transmission of the Iranian past from late antiquity to early Islam. (Translated Texts for Historians 69). Liverpool: Liverpool University Press.
This book translates the sections on pre-Islamic Persia in three Muslim Arabic chronicles, those of Ahmad al-Ya‘qubi (d. ca. 910), ‘Ali al-Mas‘udi (d. ca. 960) and Hamza al-Isfahani (d. ca. 960s). Their accounts, like those of many other Muslim historians on this topic, draw on texts that were composed in the period 750-850 bearing the title ‘The History of the Kings of the Persians’. These works served a growing audience of well-to-do Muslim bureaucrats and scholars of Persian ancestry, who were interested in their heritage and wished to make it part of the historical outlook of the new civilization that was emerging in the Middle East, namely Islamic civilization. This book explores the question of how knowledge about ancient Iran was transmitted to Muslim historians, in what forms it circulated and how it was shaped and refashioned for the new Perso-Muslim elite that served the early Abbasid caliphs in Baghdad, a city that was built only a short distance away from the old Persian capital of Seleucia-Ctesiphon.
About the Author:
Robert G. Hoyland is Professor of Late Antique and Early Islamic Middle East History at the Institute for Study of the Ancient World of New York University. Previous publications include ‘Theophilus of Edessa’s Chronicle and the Circulation of Historical Knowledge in Late Antiquity and Early Islam’ (LUP, 2011).
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Articles

Reinventing Mosaic Torah in the Light of the Law of Ahura Mazdā and Zarathustra

Leningrad Codex text sample, portions of Exodus 15:21-16:3

Kiel, Yishai. 2017. Reinventing Mosaic Torah in Ezra-Nehemiah in the light of the law (dāta) of Ahura Mazda and Zarathustra. Journal of Biblical Literature 136(2). 323–345.

In this study I examine the linguistic and theological contours of the term (tôrâ) in Ezra-Nehemiah—particularly the identification of with the law () of God promulgated by Ezra (Ezra 7:14)—through the lens of Old Persian and Avestan notions of “the law set down (dāta)” by Ahura Mazda and revealed through Zarathustra. While the basic notion of divine revelation of laws through the mediation of Moses emerges already in preexilic biblical texts, I posit that the innovative link drawn by the authors of Ezra-Nehemiah between the Old Persian and Avestan term dāta (via Aramaic ) and the Hebrew reflects a broader and more comprehensive impact of Avestan traditions, mediated by Achaemenid ideology, on the construction and conceptualization of Mosaic in Ezra-Nehemiah. Weighing in on the ongoing debate over the range of imperial authorization of local legislation and cult in Judea, Egypt, and Asia Minor, I argue that the Achaemenids, who were probably involved in certain aspects of the codification and canonization of textual, legal, and theological manifestations of Zoroastrianism, functioned as agents (whether actively or passively) in facilitating and reinforcing the adaptation by the Babylonian-Judean scribes of Avestan notions of divine revelation of the law and scriptural unity linked to personal authority.
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Books

The Middle Persian Book of Kings

Hämeen-Anttila, Jaakko. 2018. Khwadāynāmag: The Middle Persian Book of Kings (Studies in Persian Cultural History 14). Leiden: Brill.
The Khwadāynāmag is often conceived of as a large book of stories, comparable to Firdawsī’s Shāhnāme, but Hämeen-Anttila convincingly shows that it was a concise and dry chronicle. He also studies the lost Arabic translations of the book, which turn out to be fewer than hitherto thought, as well as the sources of Firdawsī’s Shāhnāme, showing that the latter was only remotely related to the Khwadāynāmag. It also becomes clear that there were no separate “priestly” and “royal” Khwadāynāmags.
TOC
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Books

Safavid Occidentalism and Persian Painting

Habibi, Negar. 2018. ʻAli Qoli Jebādār et l’occidentalisme safavide: une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94). (Studies in Persian Cultural History 13). Leiden: Brill.
In ʿAli Qoli Jebādār et l’Occidentalism safavide Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist’s paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebādār’s most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi, while suggesting the use of the term “Occidentalism” for those Safavid paintings that show some exotic and alien details of the Western world.
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Events

Tāq-e Kasrā: Wonder of Architecture

Kasra: Wonder of Architecture

Directed by Pejman Akbarzadeh

7.00pm, Thursday 1 February 2018

Khalili Lecture Theatre, SOAS University of London
Russell Square WC1H 0XG
Tāq-e Kasrā (Arch of Ctesiphon) in 2017. Photo © Pejman Akbarzadeh

Taq Kasra: Wonder of Architecture is the first-ever documentary film on the world’s largest brickwork vault. The palace was the symbol of the Persian Empire in the Sasanian era (224-651 AD), when a major part of Mesopotamia (modern Iraq) was part of Persia. Taq Kasra was in serious danger of ISIS attacks in 2015-2016 and this was the main motivation for documentary maker Pejman Akbarzadeh, based in Holland, to travel to Iraq twice and film the arch before it was potentially destroyed. (Read more)

Watch the trailer here.

The documentary is produced by the Persian Dutch Network, in association with Toos Foundation, and partially funded by the Soudavar Memorial Foundation.

Following the screening, a Q&A session will be held with the presence of the documentary director Pejman Akbarzadeh and Vesta Sarkhosh-Curis of the British Museum, a scholar of Persian art in Sasanian and Parthian eras.

Admission Free – All Welcome

Organised by: Centre for Iranian Studies

Information: E-mail vp6@soas.ac.uk
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Articles

Dēnkard and the Socio-Religious Identity in the Early-Islamic Iran

Terribili, Gianfilippo. 2017. Dēnkard III Language Variation and the Defence of Socio-Religious Identity in the Context of Early-Islamic Iran. Open Linguistics 3(1).

 

The aim of the present paper is to illustrate as a case study, the linguistic and stylistic peculiarities characterizing the third book of the Dēnkard, one of the most authoritative texts in Zoroastrian Pahlavi literature (9th-10th CE). The analysis will consider these features as part of a coherent system, styled to serve the dialectic strategies pursued by the Zoroastrian high priests in response to the pressures their own community was facing in the early Islamic period. In order to provide a more comprehensive overview on DkIII language distinctiveness, the research will underline the outward/inward dynamics, addressing both the relation of this theological dialectic with the surrounding socio-cultural environment and the leadingrole claims of a group within a politically subordinated community.

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Books

Sasanian coins, middle-Persian etymology and the Tabarestān archive

Gyselen, Rika (ed.). 2017. Sasanian coins, middle-Persian etymology and the Tabarestān archive. (Res Orientales 26). Bures sur Yvette: Groupe d’Etude de la Civilisation du Moyen-Orient.

Table of Contents:
  • Rika Gyselen; Malek Iradj Mochiri together with Hendrik Hameeuw: “Une collection de monnaies sassanides de billon, de cuivre et de plomb”
  • Rüdiger Schmidt: “Zu Lesung und Interpretation sasanidischer Monogramme”
  • Alicia Van Ham-Meert; Bruno Overlaet; Philippe Claeys and Patrick Degryse: “The Use of micro-XRF for the elemental analysis of Sasanian lead coins from the collections of the Royal Museums of Art and History in Brussels”The Tabarestan archive (VIIIth century)
  • Dieter Weber: “Pahlavi Legal Documents from Tabarestan on Lease, Loan and Compensation: A Philological Study”
  • Maria Macuch: “Pahlavi Legal Documents from Tabarestan on Lease, Loan and Compensation: The Juristic Context”
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Books

The Imagery of the Ritual Landscape at Persepolis

Garrison, Mark B. 2017. The ritual landscape at persepolis: glyptic imagery from the persepolis fortification and treasury archives. (Studies in Ancient Oriental Civilization 71). Chicago, IL: Oriental Institute of the University of Chicago.

There are, perhaps, no more contentious issues within the study of Achaemenid Persia than those surrounding its religion(s) and religious iconography. Owing to the role that fire plays in Zoroastrian beliefs in later periods in Iran, almost any discussion of the subject of Achaemenid religion will eventually turn to the identification of sacred fire, fire temples, fire worship, and fire altars in the archaeological, epigraphic, and literary records.

The focus of this book is a corpus of glyptic imagery preserved as impressions on two large archives of administrative tablets from Persepolis, the Persepolis Fortification archive (509-493 BC) and the Persepolis Treasury archive (492-457 BC). The glyptic imagery here published concerns representations of what have been traditionally termed “fire altars” and/or “fire temples.” Most of this glyptic evidence has never been published; many of the structures and the scenes in which they occur are strikingly original.
The goals of this study are to introduce a new corpus of visual imagery concerning religious ritual in the Achaemenid period and to explore the significance of this visual language for our understanding of ritual traditions emerging within the heart of the empire at its most critical formative period, the reign of Darius I. This study seeks also to use the Persepolitan glyptic evidence as a springboard to re-visit the most famous “fire altar” depicted in Achaemenid art, that on the tomb relief of Darius I at Naqs-e Rostam.

This study is an initial step in the development of a religious topography for the zone encompassing Persepolis and Naqs-e Rostam, both a topography on the imaginary level (through images) and a topography on the physical level (through the built space). The glyptic images assembled in this study are the most numerous, the most visually complex, and the best dated and contextualized evidence that currently exists for the study of fire in ritual, and religious ritual more broadly, in early Achaemenid Iran.

You can download and read this volume here.